ÉîÒ¹¸£ÀûÕ¾

Shelley Kopp - 
Sonya de Lazzer - 
Ashley Snook - 

Katie Oates - 
Eeva Siivonen - Michelle Wilson - 

Ellen Moffat - 

Stephanie Anderson - 
Christina Battle - 
Julia Krueger - 

Heidi Kellett - 

Michael Farnan - Helen Gregory - 

Trista Mallory - Jennifer Orpana - 

David Kemp - 
Colin E. Miner - Stephanie Karen Radu - 

Andrew Patton - 

Janice Gurney - All Alliance of Fragments: Actor-Network-Theory and the Translation of Things
Miriam Jordan - Dialogical Materialism: Bakhtin, Embodiment and Moving Image Art 
Kevin Rodgers - Out of Order: Thinking Through Robin Collyer, Discontent and Affirmation (1973-1985)
Matthew Smith - Relational Viewing: Affect, Trauma and the Viewer in Contemporary Autobiographical Art

Corinna Ghaznavi - Animal: A Curatorial Approach
Jason Hallows - Demonstration
Andrés Villar - Latin American Visual Arts in the 1920s

Moira McKee -
Imogen Wilson - 
Etienne Lavallee - Decades of Resistance: The Performance Work of Rebecca Belmore
Ashar Mobeen - Wonders of the Ancestral Puebloans: Astronomers, Engineers, and Magicians of the Four Corners
Carina Pagotto - Examining Stereotypical Versus Authentic Depictions of Italian and Canadian Culture Through The Recreation of Familial Venetian/Trevisane-styled Italian Cards
Asleysha Ramasamy - Bollywood Film and Art: A study on the Bollywood Art Project (B.A.P.) as a Living Memorial in India
Abby Vincent - Capturing a blur, composing a glitch: Documentarism, uncertainty and slippery images in Hito Steyerl’s November (2004) & Lovely Andrea (2007)

Ioana Dragomir - 
Elena Solomon - 
Ana Moyer - “A Gift Our Ancestors Left for Us:” An Examination of Tattooing Through the Artwork of Ningiukulu Teevee and Sarah Whalen-Lunn
Tessa Oxtoby - Monumental Supremacy? The Iconoclasm, Adaption and Appropriation of Monuments and Space in Relation to The Black Lives Matter Movement

Avery Lafortune -
Adriana Berardini - The Aesthetics of Intimacy: Viewing Nan Goldin and Zoe Leonard through Affect and Activism
Katarzyna Czarniecka - Materiality of Photography from the Perspective of Landscape Representations
Kimberlyn Hawkins - THEMUSEUM: A Case Study in the Role of Social Media on Museum Practices and Curation 
Harper Wellman - Caught in Between: The Memorials of Diana, Princess of Wales

Nakasuk Alariaq -
Claire Bartleman -
Brianna Lagacé - Leah Abaza - Aura in the Digital
Iraboty Kazi - Renaissance Portraits of Dante & Florentine Civic Identity Ira Kazi
Meghan O'Neill - A Staircase of Citizen Participation: Preservation of The Old Towns in Tbilisi, Tallinn and Edinburgh

Regan Benner - The 24-hour Death and Disaster Cycle
Shayla MacDonald - Copycat Commercialism: A Marxist Critique of Louis Vuitton’s Masters collection
Michelle Rosenblat - Helen Levitt: American Woman, Jewish Sensibility
Jessica Sealey - Looters or Liberators? The Subjugation of the Egyptian Body Through ÉîÒ¹¸£ÀûÕ¾ Intervention, Looting, and Collecting
Bruno Sinder - “Performing Citizenship, Picturing Identity: Family Photography and Post-War Portuguese Immigration”
Madelaine Tripp - The Art of Nothing

Kelsey Perreault’s -
Beatriz Asfora - Memory, Trauma, and the Act of Collecting
Christie Dreise - Infrastructure Canada – A Tour of ‘Everyday’ Canadian Spaces
Kylie Kelly - Exposing the Secret Museum: Perceptions of Sexuality, Pornography, and Morality in Ancient Pompeii
Shelley Kopp - The Vision for Pluralism at The Aga Khan Museum: A potent tool or a paltry gesture?
Caroline Rabideau - The History of Art History at ÉîÒ¹¸£ÀûÕ¾
Mackenzie Sinclair - Kara Walker’s The Marvelous Sugar Baby and the Activation of American History

Claude Bock - The Effects of Truth and Reconciliation on Contemporary Indigenous Art within Canada
Taylor Davidson - “Life Beyond Itself”. Religion and Aesthetics in William Morris’ Printed Textiles, 1881-1888
Genevieve Flavelle - The night before utopia: queer feminist art praxis at the Feminist Art Gallery
Keely McCavitt - 3D Technologies and the Future of Repatriation in Canada
Kelly McKenzie - Laughing in the Face of Apocalypse: Kelly Richardson has a Sense of Humour
Katie Oates - “A Fleeting Moment in a Floating World”: The Women of the Beat Generation Through Allen Ginsberg’s Eyes
Carling Spinney - No Vacancy: Alternative Spaces for Exhibition

Matthew Purvis -  
Ruth Skinner -
Kimberly Barton - Luanne Martineau: Aesthetic Ontologies in Fiber and Flesh
Grace Bedwell - Sitting in the Museum of Modern Art: Collecting Alvin Lucier’s Seminal Work, I Am Sitting in a Room
Emily Jackson - Taking the Landscape Out of the Frame: Embodied Writing, “Writing In”, and Decolonizing Landscape Art in Canada
Lisa Lawlis - The Word War I Destruction Of Notre Dame De Reims And Medievalism In America
Kelly McKenzie - Laughing in the Face of Apocalypse: Kelly Richardson has a Sense of Humour
Brad Morosan - The Best Defense is a Good Offense: A Brief Look at Defensive Architecture
Nicole Rutberg - Emma Sulkowicz and FORCE: Restoration and Restitution in Contemporary Anti-Rape Activist Art
Quintin Teszeri

Nicole C. Borland -
Amy Gaizauskas -
Karly A. McIntosh -
Margherita N. Papadatos -
Elyse N. Tsotsos -

Samantha Angove - We Come in Piece: Art Exhibitions, Science Fiction & Postcoloniality
Cierra Webster - Theorizing Queer: Homonationalisms and the Art Institution
Stephanie Wittich - Reminiscences: The Medievalisms of Wassily Kandinsky

Stephanie Anderson - Use it or Lose it: Inuit Art and the ‘Soft Power’ of Canadian Cultural Diplomacy 
Jordana Franklin - The Personal is Presentable: Transgressing the Public-Private Divide Through the Art of Sophie Calle and Tracey Emin 
Stefani Klaric - Narrative Brought to Life: The Wizarding World of Harry Potter 
Sophia Quick - Putting in Time: Long-Durational Performance Art Spectatorship 
Laura Ritchie - Material Labour: Artistic Work and the Creative Industries 
Melissa Ruhloff - Re-Inventing the Group of Seven: Appropriation and Criticality in Contemporary Canadian Art

Emma Arenson - Fragmentation and Representations of Disability in Monuments
Simon Bentley - Jack Chambers and the New Spanish Realists
Carrie Kitzul - en/Gendered Hierarchies: Representations of Nation, Gender, and Class in the Work of Miwa Yanagi and Yoshiko Shimada
Geddesa Mahabir - The Construction of the Late-Renaissance Individual
Ahlia Moussa - Point of Origin
Hillary Walker-Gugan - Domestic Pleasures: The Aesthetic Experience of Eldon House

Julia Cyr - Visions of Power: The Art Patronage of Duke Cosimo I de' Medici in Sixteenth-Century Florence 
Claire Feagan - Surrealist Castle Culture: Gothic Traces in Surrealist Aesthetics
Rosanna Mortillaro - Built Form and Meaning in Sixteenth-Century Rome: Pope Sixtus V and the Lateran Palace
Jennifer Orpana - The Visual Griots of Mali: Nation Building and Cultural Negotiation with Youth Outreach Photography
Diana Poulsen - But Today We Collect Videogames: Citation, Appropriation, The Open Work and the Neo-Baroque in Videogames
Stephanie Radu - Sarah Lucas's Food for Thought
Erin Rothstein - Pablo Picasso and Primitivism: An Exploration of "Non-ÉîÒ¹¸£ÀûÕ¾" and Medieval Influences in Les Demoiselles d'Avignon (1907)
Jon Sarma - Art and Artificiality: The Re/De(con)struction of "Natural" Gender in 1990s Visual Culture

Danielle Manning - Naturalism Re-visioned           
Sonja Peters - Coney Island in Early Twentieth Century Photography and Film
Kylie Serebrin - Navigating Surrealist Cinemaphilia
Andrea Skelly - Containers of Electronic Art 

Krystle Copeland - The Annunciation: Visual, Spatial, and Textual Ideologies
Eunjoo Lee - Unpainted Sky: 17th and 18th Century Naturalism in Korea and Europe 
Melissa Smith - Sixteenth Century Developments in Emblematics 
Maria Szabo - Kaleidoscope Vision: Modern Perspectives in the Work of Pegi Nicol MacLeod
Rima Puteris - Performing Absense: Ana Mendieta and Janine Antoni 

Leanne Carroll - The ‘Hoax’ of Minimalism: Robert Morris and the Octoberists.
Siân Evans - The Book of Kells’ Ornament and Audience.
Jennifer Kennedy - Paris vu Par:  New Wave, Modernism and the Cinematic City.
Andrés Villar - Espana típica: Joaquín Sorolla y Bastida’s “Vision of Spain” at the Hispanic Society of America

Adam Stead - Acting, Ausstattung and Audience in Medieval Germany.
Riva Symko - Vitalizing Sounds, Visionary Sights.
Iuliana Strambeanu - Cinematic Experiments in Multimedia Installations.
Bettina Urcuioli - Materiality and the Aura.

Susan Edelstein - Eclipsed Environments: Redefining the Space of Home.
Marina Folescu - On Stillness and Movement in Videos by Bill Viola, Mark Lewis and Stacey Lancaster.
Amanda Morhart - Giorgio Vasari: Imitation and Invention in Painting and Lives.
Irina Radchenko - Rembrandt's 'seeing eye' and Protestant Aesthetics.
Carol-Ann Ryan - Guido Molinari, Claude Tousignant, and Geometric Abstraction in the 1960s: The Canadian Contribution. 
Michael Windover - Living Art Deco Style: An Investigation of Toronto's Hybrid Modernity.

Jolaine Frizzell - Framing, Framer, Framed: A Dialogue of Psychoanalysis in the Work of Mary Scott
Mark Schilling - Andy Warhol's Contaminated Modernism 
Beitske Sybrandy - The Evolution of the Skate and its Representation in Dutch Landscape Painting of the 17th Century.

Mary Kavanagh - Collecting Dust: Sensual Acts and Recollection as Transformative Gesture.
Laura Petican - Arte Povera: The Persistence of the Baroque.

Sarah Demelo - Self Portraits without Selves: Gender Performance and Photographic Self Portraiture.
Kristen Hutchinson - The Fragmented Figure in Contemporary Art: Works of Robert Gober and Louise Bourgeois.
Sarah Lippert - Gustave Moreau and the Paragone: An Investigation of the Ut Pictura Poesis Legacy in the Work of a Nineteenth-Century History Painter.
Tara Wittman - Paradox and Play in Marcel Duchamp’s Readymades.

Craig Buckley - "Continuing Misfortune" Reconsidered: Automatism between Art and Science.
Jessica Marshall - Viollet-le-Duc’s Writing and Reconstruction: Gothic and Otherwise.
Carrie L. Vassallo - The Early Years of Art History in English-Speaking Canada: McMaster, Toronto, and Queen's Universities, CA. 1930-1945.
Ryan Whyte - Charm and Subjectivity in Walter Pater: A Comparative Study.

Marco Ranjan Deyasi - Collecting & Colonialism at Eldon House: Theories of Collecting, Tourism, and the British Empire, as they relate to the Harris Collection at Eldon House, London, Ontario, Canada. (2000)
Joanna Eve Schreyer - Balance of Wealth: An Economic Interpretation of a Gdansk Triptych. (2000)
Dennis M. P. Zimmer - Painting as Property: An examination of the Various Influences that Transformed the collections of Édouard de Rothschild and Paul Rosenberg. (2000) 
Peter Johnathan Bates - The Canadian Corporate Art Collection: The Hidden Museum. (1999)
Jennifer A. Cottrill - Fortuitous Encounters. (1999)
Barbara Edwards - Toronto Art: A History of Connectedness, 1970-98. (1999) 
Melinda Ellison - Images of Venus in Epithalamic Art of the Italian Renaissance, 1460-1540. (1999)
C. Brent Epp - Architecture and Urban Culturation in Vienna. (1999)
Christine A. Sprengler - Imag(in)ing the Fifties. (1999)
Claire Sykes - August Sander and the Task of the Photographer. (1999) 
Catherine Ann Thomas - Trans: Intersections of Art, Life and the Art Gallery. (1999)
Kimberly Anne Wahl - The Machine in Early Twentieth-Century Art. (1999)
Marci Hatch - The Value of Forgeries: A Meaningful Tool of Art. (1998)
Jennifer Paparao - Installation Art: Towards a Questioning of Boundaries. (1998)
Joel Robinson - An Architecture of Soul-Modernity, Libeskind and the Spiritual. (1997)