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Speakers' Series

Art Now! Speakers’ Series

The Art Now Speakers’ Series is a component of ongoing academic offerings in the Department of Visual Arts at ÉîÒ¹¸£ÀûÕ¾. All lectures are free and open to the public. This series is generously supported by The Faculty of Arts and Humanities. 

FALL 2024

Christina Battle 
Thursday, September 12, 2024 at 7PM
Presented in partnership with Museum London
ZOOM.

Calgary-based artist Christina Battle discusses her creative practice and her current exhibition UNDER METALLIC SKIES on display at Museum London from June 1 to November 3, 2024. This virtual artist talk is presented in partnership with the ÉîÒ¹¸£ÀûÕ¾ Art Now! Speakers’ Series. For over two decades, Edmonton-based artist Christina Battle has been pushing the forms that contemporary art can take. Through video, participatory web-based projects, and iterative multimedia installations, as well as a dark, urgent humour, her work addresses our shared future on a damaged planet. Battle, who earned her PhD at ÉîÒ¹¸£ÀûÕ¾, reflects on familiar and neglected events in history, the ongoing flow of digital mass media information, and the human culprits of global warming. She considers our experience of the climate disaster and points to ways that art can instigate change. The artist’s work draws not only on her training in contemporary art but from the biological, computer and social sciences, media studies, philosophy, and even speculative fiction.

Image Credit: Christina Battle, are we going to get blown off the planet (and what should we do about it) (detail, still), 2022, video installation (single-channel HD digital video, collaged fabric, wallpaper element designed by Anahì Gonzalez Teran and Shurui Wang), Collection of Museum London, Purchase, John H. and Elizabeth Moore Acquisition Fund, 2022

Benjamin Tran
Thursday, September 19, 2024 at 7PM
Presented in partnership with VASA
ÉîÒ¹¸£ÀûÕ¾, WIRB 1170

Benjamin Tran (also known as  Benji Nova) is a visual artist from London, Ontario. He is known for his surrealistic drawings, vibrant murals, and process-based art style. His art often explore themes of self-discovery and consciousness, expressed through a variety of media including paintings, photography, drawings, murals, and wood-burning. Throughout the past few years, he has developed a diverse portfolio of work including large mural paintings for local businesses, schools, and communities. He has also taught art and mindfulness in a multitude of settings.

Photo credit: Colin MacGregor

Theo Jean Cuthand, Indigenous Artist-in-Residence
Thursday, September 26, 2024 at 7PM
ÉîÒ¹¸£ÀûÕ¾, WIRB 1170

Theo Jean Cuthand was born in Regina, Saskatchewan, Canada in 1978, and grew up in Saskatoon. Since 1995 he has been making short experimental narrative videos and films about sexuality, madness, Queer identity and love, and Indigeneity, which have screened in festivals internationally, including the Tribeca Film Festival in New York City, Mix Brasil Festival of Sexual Diversity in Sao Paolo, ImagineNATIVE in Toronto, Ann Arbour Film Festival, Images in Toronto, Berlinale in Berlin, New York Film Festival, Outfest, and Oberhausen International Short Film Festival. His work has also exhibited at galleries including the Remai in Saskatoon, The National Gallery in Ottawa, the Whitney Museum of American Art in New York, MoMA in New York, and The Walker Art Center in Minneapolis. He completed his Bachelor of Fine Arts majoring in Film and Video at Emily Carr University of Art and Design in 2005, and his Masters of Arts in Media Production at Toronto Metropolitan University in 2015. He has made commissioned work for Urban Shaman and Videopool in Winnipeg, Cinema Politica in Montreal, VIMAF in Vancouver, and Bawaadan Collective in Canada. In 2020 he completed working on a 2D video game called A Bipolar Journey based on his experience learning and dealing with his bipolar disorder. In 2023 he completed his second video game, Carmilla the Lonely. He has also written three feature screenplays and has performed at Live At The End Of The Century in Vancouver, Queer City Cinema’s Performatorium in Regina, and 7a*11d in Toronto. In 2017 he won the Hnatyshyn Foundation’s REVEAL Indigenous Art Award. He is a Whitney Biennial 2019 artist. He has made 32 videos and films and counting. Currently he has a feature film in development. He is a trans man who uses He/Him pronouns. He is of Plains Cree and Scots descent, a member of Little Pine First Nation, and currently resides in Toronto, Canada.

Reilly Knowles
Thursday, October 10, 2024 at 7PM
Presented in partnership with Museum London
Museum London

Reilly Knowles is a settler interdisciplinary artist working in London, Ontario — on the traditional territories of the Haudenosaunee, Lūnaapéewak, Anishinaabek, and Chonnonton Nations, lands connected with the London Township and Sombra Treaties of 1796, as well as the Dish with One Spoon Covenant Wampum. A 2020 graduate of ÉîÒ¹¸£ÀûÕ¾’s Bachelor of Fine Arts Program, Knowles works to forge attentive and reciprocal relationships with the ecosystem he inhabits through his art, and explores settler legends of the supernatural as sites to imagine settler intimacy with the land. Knowles has held solo shows at Good Sport Gallery, Forest City Gallery, Jordan Art Gallery, and the Queen Elizabeth Park Community & Cultural Centre. He is a member of London-based artist collectives Good Sport and the Coves Collective, with whom he presents creative workshops centred around connecting and protecting the Coves, an Environmentally Significant Area in London.

Image: Reilly Knowles, Magic Circle for Earth Communion, 2024, embroidery with plat-dyed textiles, Collection of the artist. Image © Alex Walker. Magic Circle for Earth Communion was commissioned as part of Ontario Culture Days 2024 series.

A keynote conversation between Emelie Chhangur, Director, Agnes Etherington Art Centre, and artist Jamelie Hassan, hosted by ÉîÒ¹¸£ÀûÕ¾ professor and artist Sheri Osden Nault.
Thursday, October 24, 2024 at 7PM
ÉîÒ¹¸£ÀûÕ¾, Talbot College 141
ZOOM.

Jamelie Hassan is a visual artist and activist based in London, Ontario. Since the 1970s she has exhibited widely in Canada and internationally. She has created a body of work that is intensely driven by an engagement in international politics and cultures. She is active in artist-run centres in Canada and was a founding member of the Forest City Gallery (1973- ongoing) and the Embassy Cultural House (from 1983-1990/ 2020-to present). She is a life member of Art Metropole where she curated her international project Orientalism & Ephemera. In 2009 a major survey exhibition, Jamelie Hassan: At The Far Edge of Words, curated by Melanie Townsend and Scott Watson, was organized by Museum London in partnership with the Morris & Helen Belkin Art Gallery, University of British Columbia, Vancouver which toured nationally over five years, with its final venue at the Carleton University Art Gallery in 2013. Museum London received a 2009 OAAG Award for “Exhibition of the Year.” Her works are included in major public collections, and she is the recipient of numerous awards, including the Governor General's Award in Visual Media Arts in 2001. She received an honorary degree from OCAD University, Toronto in 2018 and an honorary degree from ÉîÒ¹¸£ÀûÕ¾, London in 2023. She is co-editor with Ron Benner of the anthology An Alternative Cultural History of London, Ontario: Art & Activism published by the Embassy Cultural House, London, Ontario, 2024.

Photo Credit: Christopher Dew

Jongwook Park
Presented in partnership with Forest City Gallery
Thursday, October 31, 2024 at 7PM
ÉîÒ¹¸£ÀûÕ¾, WIRB 1170

Jongwook Park, a visual artist from South Korea, now lives in Montreal, Canada. He holds an MFA in Communication Design from Sangmyung University in Seoul and a diploma in Animation Art and Design from LaSalle College in Montreal. Park approaches drawing as a fundamental tool in his practice, using it as his voice while exploring various cultural references such as traditional Korean Folk paintings and contemporary Graphic Novels. Through this exploration, he aims to develop a unique treatment of line drawing within flat, dimensional, and moving formats. His work has been showcased in exhibitions and publications across Canada, the United States, Finland, South Korea, and Japan.

Photo Credit: Derick M. Darby

Rosemary Sloot
Thursday, November 7, 2024 at 7PM
Presented in partnership with Fanshawe College
Fanshawe College Room D1032

Rosemary Sloot received her B.F.A.  from the Nova Scotia College of Art and Design during its heyday in  the mid 70's studying under Eric Fischl.  She obtained an M.V.A. in painting  from the University of Alberta and a B.Ed. from ÉîÒ¹¸£ÀûÕ¾.  She was a part-time painting instructor for twenty two years, teaching at Lakehead University in the early 80's and has been painting for forty five years. Her work is in public collections in Canada and private collections in North America and abroad.  In 2022 she published a book about her travelling exhibition  IMMIGRANT, which deals with her family's immigration experience in 1952.  This body of work will be featured at the Association for the Advancement of Dutch American Studies conference at Hope College in Holland, MI, USA in 2025.

Image: Rosemary Sloot, Succulent Forest, 2014. Oil on canvas, 44 x 64 inches.

Sanaz Mazinani
Thursday, November 14, 2024 at 7PM
Presented in partnership with McIntosh Gallery
Zoom |

Sanaz Mazinani is an artist, educator, and curator based in Tsí Tkarón:to/Toronto, the traditional territory of the Anishinaabe, including Mississaugas of the Credit, Chippewa, Haudenosaunee, and Wendat peoples. Working across the disciplines of photography, sculpture, and large-scale multimedia installations, Mazinani creates art objects that invite a rethinking of how we see and experience knowledge. Informed by the visual rhetoric and confounding presence of media circulation, her multidisciplinary practice aims to politicize the proliferation and distribution of images, invite critical reflection, and forefront social justice and environmental movements. 

Sanaz Mazinani's installation work will be featured at McIntosh Gallery in the exhibition From Elsewhere to Here from September 20 to December 7, 2024. For more information about this exhibition and the gallery's hours of operation, visit  

Image: Sanaz Mazinani, Shadow Wars, 2014/2024 (detail view). Courtesy of the Artist and Stephen Bulger Gallery

Brigitta Zhao
Thursday, November 21, 2024 at 7PM
Presented in partnership with artLAB Gallery
ÉîÒ¹¸£ÀûÕ¾, WIRB 1170

Originally from mainland China, Brigitta Zhao spent eight years living and traveling across the United States before relocating to Halifax, where she earned her MFA at NSCAD University. Her academic journey began with a Bachelor's degree in English, followed by a Bachelor of Fine Arts and a Master of Arts in the U.S., which sparked her vision to combine storytelling and visual art.

Brigitta works closely with ocean scientists, utilizing marine data to create digital art featured on social media and in public installations. Her collaboration with research-oriented peers has deepened her curiosity about the potential of data-driven art to engage broader audiences with scientific research. Inspired by her nomadic experiences, she believes art can unite communities and foster meaningful connections, celebrating humanity while exploring the intricate relationship between human existence and the natural world.

Image credit: Pictured in the Doudna Fine Arts Center Black Box Theater (Photo credit: Jay Grabiec). 

FALL 2023

JESSE JACOBS
THURSDAY, SEPTEMBER 14 / 7PM

Jesse Jacobs lives and works from his home in London, ON. Characterized by precise and detailed linework in combination with bold and simple colour palettes, his comics contain an affiliation with psychedelia, spirituality, and alternative realities. His major books By This Shall You Know Him, Safari Honeymoon, New Pets, and Crawl Space, have been translated into several languages, with the latter winning the 2018 Doug Wright Award for Best book. He has worked in animation, the video game industry, and illustration.

BRANDON VICKERD
THURSDAY, SEPTEMBER 21 / 7PM
Presented in partnership with McIntosh Gallery.

Brandon Vickerd is a Hamilton based artist and Professor of Sculpture at York University, where he also serves as Chair of the Department of Visual Arts and Art History. He received his BFA from the Nova Scotia College of Art and Design (1999) and his MFA from the University of Victoria (2001).  

Purposely diverse, his studio work straddles the line between high and low culture, acting as a catalyst for critical thought and addressing the failed promise of a modernist future predicated on boundless scientific advancement. Whether through craftsmanship, the creation of spectacle, or humor, the goal of his work is to provoke the viewer into questioning the dominate myth of progress ingrained in ÉîÒ¹¸£ÀûÕ¾ world views.  

Vickerd has received numerous awards and grants from the Social Science and Humanities Research Council, the Canada Council for the Arts, the Toronto Arts Council, and the Ontario Arts Council.  

Panel Discussion: Decolonizing Space 
Bettina Forget, Peter Morin and Tania Willard, Joel Ong, Jesse Tungilik, and Camille Turner.
Moderated by McIntosh Curator Dr. Helen Gregory.
THURSDAY, SEPTEMBER 28 / 7PM
ZOOM |
Presented in partnership with McIntosh Gallery.

LEITH MAHKEWA
THURSDAY, OCTOBER 5 / 7PM
Presented in partnership with the Forest City Gallery.
In-person |  
ZOOM |

“I am a beadwork artist from the Oneida Nation of the Thames in Ontario. I have been living in the Kanien’kehá:ka (Mohawk) Territory of Kahnawake (Quebec) for 38 years. After graduating from university, I focused on learning Kanien’kéha (Mohawk language) and raising my children as first-language speakers. As a new mother, my passion grew for the Haudenosaunee beadwork that often adorned the clothing of newborns and some of the older people I met in the longhouse. In 2000, I became a member of a ladies’ beading circle which focuses on Kanien’kehá:ka style raised beadwork, a three-dimensional art form having its origins in the Victorian era. It is here that I became a mentee to these seasoned beadworkers."

"I created a niche unique to my Oneida/Chippewa/Hopi/Tewa family lineage. My personal style often juxtaposes the geometric shapes found in my Hopi family pottery patterns, and Haudenosaunee inspired floral designs. The complexity of both cultures and design styles, when combined and manipulated, create a one of a kind form of beadwork."

"My art makes a social statement that speaks to the current social realities of Indigenous life, whether the devastating lack of access to clean water or the effects of the Covid 19 pandemic. The beaded mask “I am protecting you from me”, a piece created to acknowledge the loss of life during the early stages of the Covid 19 pandemic, uses red monochromatic beads representing the blood that flows through us and how we are interconnected to each other and our environment. I am proud to be part of the revival of raised beadwork within the Haudenosaunee Confederacy. I will continue to create pieces that highlight my cultural values and the integrity I have as a strong Onkwehón:we woman.” 

ADI BERARDINI
THURSDAY, OCTOBER 12 / 7PM

Currently based in London, ON, Adi Berardini has a BFA in Cultural +Critical Practice from Emily Carr University of Art+Design (Vancouver, BC) and an MA in Art History from ÉîÒ¹¸£ÀûÕ¾. She is curious about how the feminine draws parallels to worth within art, for example, why folk art, highly saturated colour, and surface pattern design can hold a different place within the greater context of art. She is the founder and editor of the publication , a platform for LGBTQ2S+ and women writers that aims to reflect on art in a dynamic and engaging way. By embracing diversity, Femme Art Review seeks to highlight emerging voices across Canada and internationally.

Caption: Femme Art Review, Issue 1.

LAUREN CHIPEUR
THURSDAY, OCTOBER 19 / 7PM
Presented in partnership with the Forest City Gallery.

Lauren Chipeur is an artist based in Calgary on Treaty 7 Territory. She makes sculpture and installations using ceramic processes as a way to untangle new ways to know things. Her current research investigates the chemistry and complexity of matter as a way to reflect on the parallel and opposing belief systems about our shared material realities. She has exhibited at galleries and artist-run spaces including the Southern Alberta Art Gallery (Lethbridge), Centre Clark (Montréal), Neutral Ground (Regina), FOFA Gallery (Montréal), Pushmi-Pullyu (Toronto), Embassy Gallery (Edinburgh) and Stride Gallery (Calgary). She graduated with an MFA from Concordia University in 2019 and since then spent time as an artist in residence at Medalta (Medicine Hat), the Banff Centre for Arts and Creativity, Zentrum für Ceramic (Berlin) and Guldagergaard International Ceramic Research Centre (Denmark). Her work has received support from the Conseil des arts et des lettres du Québec, Alberta Foundation for the Arts, Calgary Arts Development and Canada Council for the Arts.

Liu Shiming Foundation: Panel Disucssion
THURSDAY, OCTOBER 26 / 7PM
Presented in partnership with the Liu Shiming Foundation.

Liu Shiming (1926-2010) was a revered Chinese sculptor, whose works have made a distinct impact on the course of modern Chinese sculpture art. Born in 1926, Shiming attended the Central Academy of Fine. As early as 1950, Shiming received international recognition for his work Measuring Land, and there after, Shiming continued to make large-scale and publicly displayed sculptures. In the 1960s, Shiming resided in the countryside of Henan and Hebei provinces, where he gained a unique perspective on the working class and rural life. His time outside of the city, and closely handling folk art works in local museums, inspired Shiming to focus on everyday scenes in his works, becoming a common theme of Shiming sculptures. Today, Shiming is recognized for his ability to beautifully capture the most mundane scenes, as well as his aptitude for fusing folk traditions with modern sensibilities.

​Liu Shiming works have been displayed in prominent galleries and spaces across the globe, including exhibitions in Beijing, Washington D.C., and most notably a special exhibition in the main atrium of the Oculus in New York City. In 2018, the Central Academy of Fine Arts in Beijing founded the Liu Shiming Sculpture Museum, dedicated to researching and investigating Liu’s artworks and their historical significance.

The HON. PATRICIA BOVEY, LL.D, FRSA, FCMA
THURSDAY, NOVEMBER 9 / 7PM
Presented in partnership with the Fanshawe College.

Patricia Bovey, member of the Senate of Canada (2016-2023) and the Winnipeg Art Gallery’s Director Emerita, is a Winnipeg-based art historian, museologist, author and professor. She has published extensively on western Canadian art, including ÉîÒ¹¸£ÀûÕ¾ Voices in Canadian Art, (2023);  Pat Martin Bates: Balancing on a Tread, a 2015 Alberta Book Awards’ recipient; and Don Proch: Masking and Mapping, a 2019 Manitoba Book Awards’ finalist.

Director of the Winnipeg Art Gallery (1999-2004); the Art Gallery of Greater Victoria (1980-1999);  and founding Director/Curator of St Boniface Hospital’s Buhler Gallery, (2007-2016),

she also taught Canadian Art, Curatorial Practice, Cultural Resource Management, and in the University of Winnipeg’s MA Curatorial Practicum. An independent consultant, she assisted arts organizations across Canada with governance, funding and strategic planning. In the Senate she gave voice to the importance of the arts with special Senate exhibitions, programs, reports, and legislation unanimously passed by the Chamber.

Former Chair of the Board of Governors of both the University of Manitoba and Emily Carr University, she served on the National Gallery of Canada’s Board of Trustees; the Board of the Canada Council for the Arts; the Withrow/Richard Federal Task Force on National and Regional Museums; the Eckhardt-Gramatté Foundation Board; and is a past chair of the Canadian Art Museum Directors Organization.

She received a University of Manitoba Honorary Doctor of Laws in 2021, and is a Fellow of both the UK’s Royal Society for the Arts, and the Canadian Museums Association. Her honours include the Canada 125 Medal; the Queen’s Golden Jubilee Medal; Winnipeg’s Woman of Distinction for the Arts; the Canadian Museums Association Award of Distinguished Service; the Royal Canadian Academy of Arts Medal; the Association of Manitoba Museums’ Inaugural Award of Merit; and the Winnipeg Arts Council Making a Difference Award.

She is a member of the Board of the Roberta Bondar Foundation and of Ghana’s Pan African Heritage Museum’s International Curatorial Council and is their recently appointed Special Museum Ambassador. She continues her art history writing, her work on international fraud against Canadian and Indigenous artists, and, with international organizations, creative initiatives on climate change strategies.

EVOND BLAKE (AKA MEDIAH)
THURSDAY, NOVEMBER 16 / 7PM
Presented in partnership with Museum London.

Evond Blake (aka MEDIAH) is a Canadian multidisciplinary artist who weaves contemporary graffiti/street art forms with painterly techniques and digital media to create large-scale, immersive cinematic environments. Heavily inspired by avionics, mechanical engineering and schematics, MEDIAH’s abstract work utilises speed, motion, dynamism, and force to depict otherworldly dimensions through an abstract lens.

MEDIAH is described as ‘one of the most revered graffiti artists in Canada’ due to his extensive and prolific career that spans over 27 years. His work has been showcased internationally in galleries and his large-scale commissioned murals and cinematic media art projects have been nominated for awards and used as set locations in film.

With a state of the art, versatile production studio, MEDIAH’s command of broadcast motion design, VFX and his established contemporary art career provides him with a diversified toolset that allows him to create powerful, unique viewing experiences.

WINTER 2023

MAGGIE GROAT
Thursday, January 26 / 7pm

Maggie Groat is an artist, mother, birthworker, and cultivator whose current research surrounds states of becoming, decolonial ways-of-being, how plants and gardens are portals, slowness, the utility of images, and the transformative potentials of salvaged materials during times of living through climate emergency. Her methodologies are informed by states of being in between, intuition, acts of care, site-specific responsiveness, strategies of collage, and hopeful speculation. Many of Groat's recent projects, including STSTS (ÉîÒ¹¸£ÀûÕ¾ Front, Vancouver, 2017-18), Deep Time, portals, particles and pulls (on Armory Street, Toronto, 2019-2021), and Flowers also gardens, gardens also seeds, (AKA billboard in Saskatoon, 2020) engage with public spaces and consider deep time approaches to working site specifically. Her images seek to subvert expectations of the archive, through utilizing strategies of association, collapse, fragmentation, abstraction, layering, and omission.

GALA PORRAS-KIM
Thursday, February 2 / 7pm EST

Presented in partnership with Museum and Curatorial Studies

Gala Porras-Kim (b. 1984, Bogotá) lives and works in Los Angeles. Her work is about the social and political contexts that influence how intangible things, such as sounds, language and history, have been framed through the fields of linguistics, history and conservation. The work considers the way institutions shape inherited codes and forms and conversely, how objects can shape the contexts in which they are placed. Porras-Kim received an MFA from CalArts and an MA in Latin American Studies from UCLA. She has had solo exhibitions at Kadist, Amant Foundation, Gasworks, London, and CAMSTL.  Her work has been included in the Whitney Biennial and Ural Industrial Biennial (2019), and Gwangju and Sao Paulo Biennales (2021). She was a Fellow at the Radcliffe Institute for Advanced Study at Harvard University (2019) and the artist-in-residence at the Getty Research Institute (2020-22), She is currently a fellow at Museo delle Civiltà in Rome.

Gala Porras-Kim, Forecasting Signal, 2021. Burlap, liquid graphite, ink, ambient water, panel. Installation view, A terminal escape from the place that binds us, 2021, Commonwealth and Council, Los Angeles. Image courtesy of the artist and Commonwealth and Council. Photo: Paul Salveson

EMII ALRAI, SAMEER FAOROOQ AND JACQUELINE HOANG NGUYEN W/ MATTHEW KYBA
Thursday, February 09 / 7pm
Zoom registration link: 
Presented in partnership with McIntosh Gallery

Join us for a virtual panel discussion featuring the artists of Stories We Tell Ourselves, moderated by exhibition curator Matthew Kyba, participating panelists will discuss their work in relation to the issues addressed in this exhibition as well as within the context of their broader studio practices.

This group exhibition conceptualized by guest curator Matthew Kyba questions how the museum’s history as a colonial tool for ÉîÒ¹¸£ÀûÕ¾ pedagogy influences the stories we tell. To elucidate the unseen politics within the display systems and political agendas of cultural institutions, the four featured artists/artist duos appropriate various museological practices—collection, didactics, video, sculpture, presentation techniques and artifacts—to self-referentially question how such institutions dictate politicized stories. Stories We Tell Ourselves undermines the museum’s colonial past and current pedagogy by probing how these settings shape public opinion and social understanding of different histories and contemporary conditions.

About the curator:
Matthew Kyba was born Toronto, Ontario (1991) and is the current Curator at The Ministry of Culture and Tourism in Columbus, Ohio. Recent exhibitions have been shown across Canada and the USA. He enjoys walks with his dog Rico.

Emii Alrai, Passing of the Lilies (detail), Jerwood Solo Presentations, Jerwood Arts, London. 2021. Photography courtesy of Anna Arca.

FANNY LATREILLE
Thursday, February 16 / 7pm

born and resides in the unceded territory of Tiohtià: ke / Montreal. Her interdisciplinary practice revolves around a documentary approach to the exhibition. By declining a subject in several forms, she materializes a mental aggregation by which she tries to define the cultural meaning of the image. In general, it is the culture-history-politics relationship that motivates her research-creation process. Thus, she has a marked interest in the cultural and social manifestations that take us beyond time.

In 2020, she received a MFA from Université du Québec à Montréal (UQAM). Her work was featured in solo and group exhibitions, as well as in video programming, in Canada and France, including: CEAAC (Strasbourg, FR), Galerie de l'UQAM (Montreal, QC) and Centre des arts actuels Skol(Montreal, QC). Her work has been recognized with the Omer De Serres (2012), Robert Wolfe (2013), François-Xavier-Marange (2019) excellence grants and has been supported by the Conseil des Arts et Lettres du Québec. As an cultural worker, Fanny Latreille has been involved, among other things, in the organization of the Interuniversity Meeting for Contemporary Performance (RIPA) and at the Centre CLARK, in addition to sitting on several boards of, including the magazine Le Sabord board.

ANGIE QUICK W/ JOEL FAFLAK
Thursday, March 16 / 7pm
Museum London

Presented in partnership with Musuem London

Angie Quick (b. 1989)  is an artist based in London, Ontario. Her practice encompasses painting as well as performance. Quick’s work explores tenderness and intimacy both historically and contemporaneously.  Her recent exhibitions include the solo shows the moonlight made me do it at the McIntosh Gallery (2022),  a life of crime at the Michael Gibson Gallery (2023) and make me less evil at Museum London (2023)

Joel Faflak is Professor in the Department of English and Writing Studies at ÉîÒ¹¸£ÀûÕ¾ and at the Centre for the Study of Theory and Criticism. Among his publishing and teaching interests are British Romantic literature, psychoanalysis and psychiatry, and film musicals. He’s received the Ontario Confederation of University Faculty Association Teaching Award and the Edward G. Pleva Award for Teaching Excellence. He believes artists are heroes.

FALL 2022

VANESSA MALTESE
Thursday, September 22 / 7pm

Vanessa Maltese (she/they - b. 1988, Toronto, Ontario, Canada)

Multidisciplinary in breath, Maltese’s practice deploys various forms of visual and audible trickery to pose questions about perception. Maltese is interested in the plasticity of the brain, and how conflicts of perception have the power to change our methods of thinking, even in common everyday experiences. Specifically, through her research on pareidolia— the psychological phenomenon in which recognizable patterns are identified in unrelated contexts— and klecksography—the process of making images from inkblots— Maltese explores the psychoanalytic connections between pattern recognition and the subconscious. The flatness of their images is meant to challenge the desire for illusion associated with the history of painting, which Maltese playfully acknowledges through the irregular frames they create.  

Maltese received a BFA from OCAD University in 2010. In 2012, Maltese was the National Winner of the RBC Canadian Painting Competition and in 2018 they attended the Glenfiddich Artist in Residence Program. Maltese has exhibited her work in solo and group exhibitions across North America, most recently at COOPER COLE, Toronto (2021); Mickey Gallery, Chicago (2020); Corbett vs Dempsey, Chicago (2019); Night Gallery, Los Angeles (2019); The Power Plant, Toronto (2018); the National Gallery Library and Archives, Ottawa (2017); Carl Louie, London ON (2017); Nicelle Beauchene Gallery, New York (2016); Greenpoint Terminal Gallery, New York (2016) and Art Museum of the University of Toronto, Toronto (2016). Maltese currently lives and works in Toronto, Ontario, Canada.

Installation view from Fact or Fiction, a 2021 solo exhibition held at COOPER COLE in Toronto.

BROADBENT SISTERS
Thursday, October 06 / 7pm
MUSEUM LONDON

Presented in partnership with Museum London

Rose and Joy Broadbent are multidisciplinary artists based in Toronto. For over a decade, the Broadbent Sisters have created international, award-winning work in performance, film, painting and installation. Their unfolding practice, ‘Clearing Spaces,’ examines meditation, telepathy, eco-feminism, and pop spirituality. Over the years, their highly intuitive work asks viewers to enter vulnerable spaces as the Sisters build a mythology of meditative ritual. This evolving series, 'Clearing Spaces', has been celebrated in The Art Gallery of Ontario, The Robert McLaughlin Gallery, The Art Gallery of Peterborough, Steven Bulger Gallery, The Reach Gallery Museum, McInstosh Gallery, Festival Du Nouveau Cinema, TRAFO Centre for Contemporary Art, Katzman Contemporary, The Drake Hotel, and as part of the Sunday Drive Art Projects. They were the Art Directors for the 2016 edition of the AGO Massive Party. The Sisters were awarded the 2017 Burtynsky Grant for 'A Telepathic Book'. They collaborated with Google in 2018 to create an interactive exhibition and art phone cases that were sold worldwide. In November of 2019, they created a meditative pod installation for Facebook. In 2021 they won awards for the Cannes World Film Festival and the Paris Cinema Awards for their performative latest short films. Joy and Rose continue to find collaboration to be a unique venue for distilling the essence of form and exploring telepathic ways of creating.

 

PETRINA NG
Thursday, October 13 / 7pm

Presented in partnership with Forest City Gallery 

Petrina Ng is an artist and organizer based in Tkaronto/Toronto. Her practice proposes alternative responses to redress subtle legacies of colonialism. Petrina’s collaborative work as Gendai (with curator Marsya Maharani) responds to BIPOC labour conditions of arts work. Their research and practice of collective values experiments with alternative economies and radical allyship to work towards a more equitable arts sector. She is also runs Durable Good (with designer Rachel Wallace), a small publishing studio that supports artists, writers, and thinkers who work within feminist, equitable, and engaged frameworks; and newly launched Waard Ward collective that utilizes floristry as a means to embody decolonial research and newcomer community building.

FALL 2021

Heather Goodchild
Thursday, November 18, 2021 at 7PM
MC-105B

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