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9:30-11:20 am

James Purkis, “Werstine and Greg”

Brandi Adams, “Editing through Discomfort and Uncertainty”

Blake Robertson, “‘I haue plodded in ployden & can find no lawe’: Textual Confusion and Its Value in Thomas of Woodstock”

Alan Galey, “The Textual Mystery of Everything: Applying Shakespearean Textual Scholarship Beyond Shakespeare”

Misha Teramura, “Disappearing Acts: The Loss (and Survival) of Manuscript Playbooks”

Scott Schofield and Ian Rae, “In Search of a Forgotten Collector: John Davis Barnett and His Collection of Shakespeareana”

Heidi Craig, “Shakespeare Etc.: Listing Shakespeare’s Contemporaries”

Rebecca Niles, “‘What mighty contests rise from trivial things’: Editing Shakespeare, and the Critics Who Love to Hate It”

Jessica Tooker, “Interpretive Praxis in ‘The Scottish Play’”

Eric Rasmussen, “Imaginary Commentators”

Janelle Jenstad, “Shakespeare, Digital/Typographical Markup, and Interface Design”

Eric Johnson, “Modern Readers and the Editor as Engineer”

Kathy Torabi and Rob Stagg, “The New Variorum Shakespeare”

Sonia Massia, “Diverse Editing in the Archive”

Ashley Howard, “Where to Begin?: Amateurs and Future Shakespeare Editors”

Zachary Lesser, “The Merciless Who?”

Ian Lancashire and Freya Abbas, “Language Policy in The Tempest and Jamestown”